1216 products were found matching your search for Visual Eyes in 6 shops:

What can art tell us about how the brain works? And what can the brain tell us about how we perceive and create art? Humans have created visual art throughout history and its significance has been an endless source of fascination and debate. Visual art is a product of the human brain, but is art so complex and sophisticated that brain function and evolution are not relevant to our understanding? This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art. Arguments and theories are presented in an accessible manner and general principles are illustrated with specific art examples, helping students to apply their knowledge to new artworks.

Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution."An intelligent and readable approach to the digitization of images.... A useful overview of a critical subject."―New York Times Book ReviewEnhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs. Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks closely at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises.

Provides an overview of verbal disabilities, and profiles ten famous creative thinkers who overcame their handicap

This gorgeous volume celebrates the creative eye and inspiration of the man who, through his art, photography, design, magazine work, and social life, influenced and changed our visual culture. This visually rich volume presents, for the first time side by side, the commercial work and artwork of Alexander Liberman. Liberman was not only one of the world’s most powerful editorial art directors, he was also a respected photographer, artist, and graphic designer. His personal exploration and relationships through these mediums shaped his own artistic vision that would alter the relationship of art, design, and fashion forever. In the early ’40s, he became art director of Vogue, and then editorial director for Condé Nast Publications from 1960 to 1994. His transformation of Vogue from a stately publication to the bold and lively publication that it is today forever changed the way women and men viewed fashion and style. It’s Modern is a vibrant volume that pairs Liberman’s professional efforts with his personal artwork and design. This juxtaposition, along with personal archival photographs and texts, artworks, and photographs by iconic friends and collaborators, builds a complete portrait of a genius whose personal life and inspirations were as fascinating as his artwork. With works by Matisse, Beaton, Leibovitz, Newton, Ritts, Brassaï, Parks, Horst, Picasso, Avedon, and Penn, this engaging book is a must for lovers of fashion, art, magazines, graphic design, or photography.

This inspiring book profiles gifted individuals who used nontraditional methods in their work as it explodes many myths about conventional intelligence and charts new vistas for today's computer visualization technologies. Some of our most original intellects--Albert Einstein, Thomas Edison, Lewis Carroll, and Winston Churchill--relied heavily on visual modes of thought, processing information in terms of images instead of words or numbers.Thomas G. West examines the learning difficulties experienced by both famous and everyday people, and he explores how recent neurological research shows an association between visual talents and verbal difficulties. In the Mind's Eye probes new data on dyslexics to see how computers enhance the creative potential of visual thinkers, as well as interactive computer applications at all levels of education and work.Updated with a new preface, epilogue, and expanded notes, this volume could be the clarion call for educators and corporations to mine this untapped resource of highly creative talent in our midst.

Baader T2-17F enables the use of a a standard 2" astronomy filter in an SCTs light path. With the T2-17F, any filter can be permanently mounted as a means of dust sealing the OTA, or for convenient use with multiple eyepieces and accessories. The Badder T2-17F consists of two parts: T2-17A Visual Back and T2-17B 2" Filter Holder. These parts are not available separately. The eyepiece holder has a bronze clamping ring and two locking screws. Parts 17A and 17B connect to each other with M58 threads.

Mellville’s interest in the visual arts and the translation of that interest into his writings is at the center of this new interdisciplinary study of one of America’s most celebrated writers. Melville’s lifelong engagement with the visual arts has been noted in other works, but only Savage Eye suggest the extraordinary depth and range of the author’s multifaceted interest in the subject. Editor Christopher Sten has collected 13 essays from 12 specialists in the field to produce this groundbreaking study which connects Melville’s writings with topics relating to the arts of painting, printmaking, sculpture, architecture and landscape design, as well as art history. Sten’s comprehensive introduction provides readers with a historical overview of the subject, detailing the many works of art Melville knew and commented upon at each stage of his career. He explains when and where in Melville’s wanderings throughout America, Europe, and the Near East he saw these works, then describes how Melville made use of the life and work of these artists in his own fiction and poetry. Savage Eye argues persuasively that the visual arts sources are comparable in importance to the literary arts in the formation of Melville’s work and vision. The contributors thus lead the reader to an appreciation of the rich array of artistic images that were available to Americans of the previous century, and thereby extend not only our understanding of Melville, but of ourselves and our collective history.

Never before has America's past been made so intriguingly accessible, both to the eyes and to the mind. Eyes of the Nation profits from seven chapters of lucid historical commentary by the distinguished historian Alan Brinkley, but at its core is a bountiful narrative-in-pictures drawn from the millions of maps, prints, photographs, posters, manuscripts, motion pictures, and other treasures in the Special Collections of the Library of Congress. In vivid and inclusive fashion, the book proceeds from the first encounters of Europeans and Indians, through colonial days and the founding of the nation, industrialization and the western expansion, and the catastrophes and transformations of the nineteenth and twentieth centuries, right up to the present. Thanks to the brilliant art selection by Vincent Virga and the Library's Curators, every stage of the nation's development, every swerve in its fortunes, assumes arresting visual form.Appearing alongside such pivotal artifacts as an Indian treaty from 1714, a wanted poster for John Wilkes Booth, and a naval dispatch from 1941 ("AIR RAID ON PEARL HARBOR X THIS NOT A DRILL") are fascinating nuggets of popular culture and social history: an eighteen-pence note from 1776, the first telegraphic tape, a 1915 advertisement for the Pierce-Arrow automobile, a Pogo comic strip attacking Joseph McCarthy. Renowned American artists of every era--from John James Audubon and Matthew Brady to Mary Cassatt and Winslow Homer, from Frank Lloyd Wright, Edward Hopper, and Dorothea Lange to Robert Rauschenberg and Jennifer Bartlett--are exquisitely represented. Full, detailed captions accompany the images, and albumlike interludes explore four elemental themes of the American experience: the garden, the river, the city, and our people.In this audacious and sophisticated approach to the show-and-telling of history--as visual as it is textual, as thorough as it is irresistibly anecdotal--Eyes of the Nation is without peer.

Started as the first comic strip ever to run in the New York Times, this silent set of strips chronicles the world, its foibles, its intricacies, its dreams through the eyes of most anything you can imagine. The trick is to figure out whose eyes they are before seeing the final panel...

An intimate look at Barry Goldwater as master photographer. The book provides insight into the aesthetics and artistry of this political icon. A collaborative effort with his son Michael P. Goldwater.

This new book is an exciting follow-up to the authors’ bestsellers on differentiated math instruction, Good Questions and More Good Questions. Eyes on Math is a unique teaching resource that provides engaging, full-color graphics and pictures with text showing teachers how to use each image to stimulate mathematical teaching conversations around key K–8 concepts. Teachers using the book can download the images for projection onto classroom white boards or screens. The questions and answers will help both students and teachers look more deeply and see the math behind the math!For each of more than 120 visuals, the text identifies the key math concept and the Common Core State Standard being addressed and then provides teachers with: Mathematical background and context. Questions to use with students to lead the instructional conversation. Expected answers and explanations of why each question is important. Follow-up extensions to solidify and assess student understanding.This book will be useful to a broad range of teachers who will find new ways to clarify concepts that students find difficult. It can be used as a resource to prepare teachers for the higher mathematical thinking requirements of the CCSS Mathematical Practices. It will also be an invaluable resource for teachers working with students with low reading ability, including English language learners and special education students.PROFESSIONAL DEVELOPMENT: Visit Marian Small’s website onetwoinfinity.ca for in-person and online professional development.

Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation.        Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.

An intimate look at Barry Goldwater as master photographer. The book provides insight into the aesthetics and artistry of this political icon. A collaborative effort with his son Michael P. Goldwater.

Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation.        Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.

Ten case studies of intensive poetic interpretation of visual imagery are examined in this book. The texts range from the Renaissance to the present, and they are concerned with painting and sculpture, real or imaginary. Truly interdisciplinary, these essays are written by art historians and literary critics and are critically situated within the interarts discourse.

Now in its fifteenth printing, In the Mind's Eye has been recognized as a classic in its field. The book still stands alone as a uniquely compelling argument for the great importance of visual thinking and visual technologies as well as the high creative potential of many individuals with dyslexia or other learning difficulties.In this second edition, Thomas G. West reviews a number of recent developments that support and extend the perspectives and expectations originally set forth in the first edition. In addition to the original eleven portraits of famous individuals with learning difficulties (including Albert Einstein and Thomas Edison), he has added brief profiles of two dyslexic scientists known for their ability to generate, in quite different fields, powerful but unexpected innovations and discoveries: William J. Dreyer, a Caltech professor who used his highly visual imagination to see things in molecular biology and immunology well before others; and John R. (Jack) Horner, who flunked out of the University of Montana seven times (requiring letters of support for readmission) but is now known as one of the three most important paleontologists in the world.Recognized as among the "best of the best" by the American Library Association in their broad psychology and neuroscience category, this title belongs on the bookshelves of all educators and anyone with an interest in visual thinking, visual technologies, and highly creative people with learning difficulties.

Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements

Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements

Describes the anatomy of the eye, and discusses shapes, porportions, direction of gaze, eyebrows, eyelashes, expression, eyeglasses, light, shade, and self-portraits

This volume outlines some of the developments in practical and theoretical research into speechreading lipreading that have taken place since the publication of the original "Hearing by Eye". It comprises 15 chapters by international researchers in psychology, psycholinguistics, experimental and clinical speech science, and computer engineering. It answers theoretical questions what are the mechanisms by which heard and seen speech combine? and practical ones what makes a good speechreader? Can machines be programmed to recognize seen and seen-and-heard speech?. The book is written in a non-technical way and starts to articulate a behaviourally-based but cross-disciplinary programme of research in understanding how natural language can be delivered by different modalities.